...last December. I saw
Unaccompanied Minors. Wow. That is sad. Even though the movie was terrible, I still had fun with my friend. And I didn't realize it was
The Breakfast Club in an airport with junior high kids until said friend told me. Clueless. Now that was a movie.
What's sadder than my seeing
Unaccompanied Minors is the lack of quality fare on the big screen nowadays. Besides the fifth Harry Potter movie, I haven't been anticipating the release of any other movie this year. I wanted to see
Maxed Out after I read about it on Pajiba and heard about it on Air America. Of course it disappeared from the two theaters it was playing at in the LA area before I could go see it. I still haven't seen SiCKO, but I will eventually.
The problem for me is two-fold. One, I can tell from the trailers that most of the movies with the heaviest marketing campaigns are going to suck in some way. Not necessarily in
every way, but on some level, they are going to bug me. I don't have $8.50+ to spend on things that I actually need, like vegetables. I sure don't have $8.50+ to spend on thing luxuries that are almost guaranteed to disappoint.
Two, there are almost no movies being made with women. Obviously there are almost no movies written by women or directed by women. That's not such a shocker, although it does make me sick. But there are practically no movies
starring women. There was
A Mighty Heart, which I wasn't going to see anyway, even if it didn't star
Angelina Jolie in blackface. There is
Evening, which makes me want to have my period, start menopause, and vomit from the schmaltzy boredom all at the same time. The rest of the movies that have come out this year, and will come out this summer, mainly have girls, emphasis on
girls, as scantily-clad love interests with no character arcs or personalities of their own.
My annoyance has been building of the past few months. Arguably, it has been building since the mid-90s, when I learned that the top-billed actresses of the time--Demi Moore and Julia Roberts--only made $12 million dollars for their blockbuster movies, compared to the $20 million the Toms--Cruise and Hanks--were pulling for theirs. That's 60 percent. What a rip. There are a multitude of arguments to be made justifying both, either, or neither salary amounts, but that's not the point of my post today. My point is, for the past 24 hours, my annoyance has come to a head, as a result of reading the following articles:
Live Free or Die Hard / Rush Hour 3, by Jenn at reappropriate.
Feminist of the day: Emma Watson, by Jessica at Feministing.
Live Free or Die Hard + Transformers, by Walter Chaw at Film Freak Central.
They're women, directors and few, by Mary F. Pols, San Jose Mercury News
When I was growing up, I used to go to movies all the time. Now I go to practically none. That is due to many factors, including a decrease in both disposable income and disposable time. But there are also less movies coming out. And hardly any involving women, much less women my age, or my color, or with my personality. I know there are women, nay
people, out there who are just like me, who want to see more women of many ages, colors, ethnicities and dispositions on their screens. I don't need to see
yet another movie with schlubby guys getting (often younger) girls who are way out of their league. I don't care how "real"
Dustin thinks these people are.
I will see
Hairspray, though. Amanda Bynes is funny. I can almost forgive her for
She's the Man. Though there is something disconcerting about seeing a movie that's based on a musical that's based on a movie that's younger than I am. What's next?
Legally Blonde: The Remix with Hayden PaneraBread?
The Lion Kings with Dylan and Cole Sprouse? La Lohan in
The Little Mermaid who's totally sober now kinda?